> Browse Buying Guides
Resources for Parents, Players, and Educators

HACKER SAFE certified sites prevent over 99.9% of hacker crime.
:: Guide Index » Strings » Cellos

Cello Buyer's Guide

Cello Breakdown

section #1

The Cello is the second largest member of the string family and an integral part of the symphony orchestra. It has four strings producing tones an octave lower than the viola and its voice closely corresponds with the human bass voice on the low end. The instrument is commonly associated with classical music, and is primarily found in orchestras and string quartets.

The cello is made in full and fractional sizes. While determining the appropriate instrument size for violin or viola can be fairly simple (basically a function of arm length), proper sizing of a cello is more complex, being a function of arm, leg and body length.

Cello Categories

section #2
featuring

Bellafina Model 510 Cello Outfit

Student Cellos: Student cellos are designed for beginning students and are often produced by machine. Maple is sometimes used for high friction parts (pegs, fingerboard) and dyed to resemble the more expensive Ebony, which is found on most instruments. These cellos are excellent for the early stages of development and are priced to easily fit into most budgets. Teacher-Recommended Student Cellos

Intermediate Cellos: Intermediate cellos feature better quality wood and workmanship, most (if not all) of which is done by hand. The result is an instrument that sounds better and will accommodate a more advanced player. Pegs and fingerboard are usually made of Ebony. Extensive hand graduation of the top and back of the cello results in a more refined sound. If the wood is good and the craftsman has paid attention to the necessary details, some intermediate cellos may even approach the professional level of performance. Recommended Intermediate Cellos

Professional Cellos: These are cellos made from only the finest woods and built with near-fanatical attention to every detail of construction and appearance. Because of the relatively few craftsmen skilled at this level, the number of hours required to produce an instrument of this caliber, and the cost of select, premium wood, the price of these instruments is considerably higher than an intermediate cello. Recommended Professional Cellos

Body Materials

section #2
Spruce:
Straight-grained spruce is the only material used for the top of a stringed instrument. Most of the sound is produced here and straight-grained spruce is the only material strong enough to handle the stress and ensure proper resonation. Natural-aged, straight-grained spruce is preferred. The longer the natural aging, the better; five years is the minimum preferred.
Maple:
The neck, sides and back are generally constructed from maple, which strengthens stability and enhances beauty.
Ebony:
The fingerboard and pegs should be ebony or a similar dense and stable wood, such as quality maple, boxwood, or rosewood. Ebony is preferred.

Cello Accessories

Strings, rosin, a practice mute and a sturdy case are great accessories for cello players.

Anatomy of a Cello

Scroll:
A decorative piece at the top of the instrument.
Pegs:
Typically constructed from a very dense wood. Pegs are used to adjust the tension on the strings, resulting in tuning.
Peg Box:
A box that secures the pegs. The holes in the peg box are tapered to secure the pegs and allow for easy tuning.
Neck:
Typically constructed from a quality hard maple. A lot of stress is placed on the neck. With proper tuning, there can be 200 pounds of tension on the neck.
Fingerboard:
A long piece of wood on top of the neck that the strings are pressed against. A stiff, dense wood provides the best stability and strength. Quality fingerboards are scooped inward towards the center.
Bridge:
The bridge is held in place only by tension; no glue is used. Quality bridges are hand-fitted against the body to ensure proper sound transmission. The bridge is higher where the lowest string crosses.
F-hole:
Two holes precisely cut in the top of a stringed instrument to permit the sound to be projected from the interior of the instrument.
Tail piece:
Generally made of the same material as the chin rest and pegs, typically for cosmetic purposes. However, it can be made of any dense material.
Tail Gut (tail piece gut, tail piece adjuster):
Originally made from animal intestine, now constructed from nylon, this piece holds all the tension from the strings into the button, across the saddle.
Button:
Small button-like feature on the bottom of a string instrument that holds the tail gut.
Sound Post:
Located on the inside of the frame, the sound post provides structural support and transmits sound from the front to the back.
Bass Bar:
On the inside of the frame, a small piece of wood that is glued under the lowest string. Strengthens structural support and distributes the sound over the entire length of the top of the instrument.

Construction of a Cello

Hand Crafting: Hand-crafting a stringed instrument is an art and a science. Manufacturers employ crafters at different levels of experience. The least experienced crafters typically work on the less-expensive instruments. The opposite is true for high-priced instruments.

Set-Up: Manufacturer’s employ “set-up” technicians to prepare the instrument to play at its highest potential. Detailed shaping and shaving of components, fitting the bridge, precise fit and finish of pegs, adjusting proper depth and shape of the notches at the bridge and the nut, and fine tuning are all responsibilities of the “set-up” technician.

Flaming: Flaming is a popular technique to enhance the visual appeal of a stringed instrument. However, this technique does not necessarily enhance the quality of sound produced.

Book-Matched: Most instrument backs are “book-matched,” or constructed from two pieces of wood glued together. This process gives the instrument a uniform appearance, but does not necessarily improve the sound quality.

String Selection

The single most influential factor (after players’ skill) of sound quality produced by a stringed instrument is the choice of strings. There is no absolutely correct type of string for all players under all circumstances. Each type of string has qualities that make it more appropriate for different situations (i.e. solo vs. orchestral performance; country vs. classical performance). Other factors such as cost, the players’ individual preferences, and the way a particular string sounds on an individual instrument also come into play.

Product Charts

section #5
:: Guide Index » Strings » Cellos
Verisign BizRate Customer Certified (GOLD) Site