General Product Description
The N/D868 was designed specifically to make the kick drum move the music. Whether in the studio or on the road, the durable, steel constructed N/D868 gives the engineer and drummer the "sound" they've been looking for. The extended low-frequency response will tighten up any live or studio mix usually without additional EQ.
The N/D868 is truly a top performer in any application. Whether in a live sound or studio environment, the N/D868 is able to handle incredibly high sound pressure levels without distortion or overriding the input mixer. With a response specifically designed to "kick" the N/D868 can be used is "as is"-no additional EQ required. Electrovoice was the first to utilize the neodymium magnet structure, and it remains at the heart of our new N/DYM series of microphones. Experience the leader again for the first time and hear the difference.
Operation
The low frequency response of the N/D868 microphone varies with the distance from the sound source. Known as "proximity effect," maximum bass response is produced in "close-up" use with the microphone 1/4 inch from the sound source. Normal bass response is experienced with working distances greater than 24 inches. Working close to the microphone will produce a more robust sound. Close up positioning of the microphone will also reduce the potential for feedback from the sound reinforcement system. When, the bass-boost provides an increase in overall microphone output level.The mixer gain may be proportionately reduced, resulting in a reduction of the system's sensitivity to feedback caused by sound entering the microphone from the loudspeakers.
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the microphone to gain optimal performance.
Kick Drum
Remove drum head and damp with a pillow or blanket. Position the mic on the pillow or blanket a few inches in front of the drum beater. As an alternative, position the mic on a small boom stand with the mic extended into the drum and at a 90° angel to the drum beater.