Audio Technica Pro35 High-SPL Instrument Microphone - LOW PRICES at WWBW

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Audio Technica Pro35 High-SPL Instrument Microphone
Item# 396645

Audio TechnicaPro35 High-SPL Instrument Microphone

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Our Price:

$129.99

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$239.00

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$109.01

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Product Description

Audio Technica

Designed for sax, toms, brass and percussion, the PRO 35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount® clip permits accurate positioning and provides shock resistance while protecting the element. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. Includes Power Module.

Product Overview and Specifications

Features:

Ideal for sax, toms, brass and percussion

Excels in high-SPL applications

Perfect for active stage performances

Extended frequency response captures subtle nuances of theperformance

UniMount® clip permits accurate positioning, provides shockresistance and protects element

Corrosion-resistant contacts from gold-plated XLRM-typeconnector

Includes Power Module

Cardioid polar pattern reduces pickup of sounds from the sidesand rear, improving isolation of desired sound source

Add Accessories

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3 found helpful, 1 found unhelpful.
Excellent Sound...

Customer Rating

by Chuck Hutcheson (chuck_hutcheson@yahoo.com) 5/7/2007 12:44:29 PM

Musical Experience: Performer, Home Studio Owner, 24 Yrs. Exp.
Style of music: All Styles
Hometown Baxley, GA

I'm a multi-instrumentalist whose primary instruments are saxophones & trumpets. I have a Pro Tools home studio, am a trained sound engineer, and a former music performance major in college. For my live gigs, I use this AKG mic along with its receiver, and I have never been dissatisfied. The sound is very good and very even throughout the saxophone's range. A sax's sound is produced from "high to low" with the fingering combos, but this mic seems to pick up evenly, even in the altissimo. I always clip this mic to the bell facing the body of the horn, and not facing down "into" the bell, and that seems to work best for me (I'm a loud, aggressive player). The most aggravating aspect of this setup is the wire that connects the mic to the body-pack. I've actually pulled a horn or two off a stand (until I got better stands) not realizing the wire had gotten tangled with my other horns. But as far as sound and basic function, this mic is an excellent product worthy of 5 stars. I would not even have a problem using this mic in a "live" recording application. I've had mine for 3 years now and no problems.

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